Marilyn
Monroe
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Marilyn Monroe
Marilyn Monroe(born Norma
Jeane Mortensen, June
1, 1926
– August
5,
1962)
is arguably the twentieth-century's
most
famous movie
star, sex
symbol and pop
icon. Born Norma
Jeane Baker, Monroe's rise to stardom began when she was
recruited to do magazine modeling while her first husband was in the Merchant
Marines. She did most of her films for 20th
Century Fox, where she adopted the name with which she gained
superstardom. After acting in bit roles for several years, she
gradually became known for her comedic skills and remarkable screen
presence. She worked toward serious roles later in her career and, up
to an extent, managed to realize these goals. However, constant
publicity and romantic disappointments led her to personal problems.
The circumstances surrounding her death have been the subject of much
speculation, but have not tarnished her reputation as one of the most
legendary public figures of all-time.
Early life
Although she would eventually become one of the
most celebrated actors in film history, Monroe's beginnings were
humble. She was born in the charity
ward of the Los
Angeles County
Hospital. Her registered name was Norma Jeane Mortenson, but
her grandmother, Della Monroe Grainger, later had her baptized Norma
Jeane Baker. Most biographers
believe her biological
father
was Charles
Stanley Gifford,
a salesman for the studio
where Monroe's
mother, Gladys Pearl Monroe Baker Eley, worked as a film-cutter.
However, her birth certificate lists Norwegian
Martin
Edward Mortenson
as her father, and in later years some biographers have leaned towards
believing that is the case.
Gladys was unable to persuade Della to look after
Norma Jeane, so she was placed with foster
parents Albert
and Ida Bolender of Hawthorne,
California,
southwest of Los
Angeles, where she lived until she was seven years old. In
her autobiography
My Story, Monroe states she thought
Albert and Ida were her parents until one day, rather rudely, Ida
corrected her.
Again according to My Story,
Gladys visited Norma Jeane every Saturday, but never smiled, hugged or
kissed her. At some point, Gladys announced that she had bought a house
for herself and her daughter, but a few months after they moved in, she
suffered a mental
breakdown.
Monroe recalled Gladys "screaming and laughing" as she was forcibly
removed to the State Mental Hospital in Norwalk,
California, the same hospital where Gladys' mother Della had
died in August 1927.
Gladys' father, Otis, had also died in a mental
hospital(near
San
Bernardino,
California) as a result of syphilis.
However, it should be noted that My Story
is not to be considered a trustworthy source, as it was ghost-written
by the journalist Ben
Hecht and designed to colour Monroe's image as a
long-suffering orphan. Its factual claims have been considered
suspicious.
Norma Jeane was declared a ward
of state and Gladys' best friend, Grace McKee(later
Goddard)
became her guardian.
After McKee
married in 1935,
Norma Jeane was sent to the Los
Angeles orphanage
and then to a long succession of foster
homes where it is
alleged she was subjected to abuse
and neglect. There is
little evidence, however, that she lived in as many foster homes as
claimed. Moreover, Monroe herself is known to have given exaggerated
information about her childhood during interviews.
In September 1941,
Norma Jeane was reunited
with her mother. The Goddard family, however, were moving to the East
Coast
and felt it would be best if 15-year old Norma Jeane were to marry, as
otherwise she would have had to return to the orphanage. She had been
introduced to a neighbor's son, James
Dougherty, who
would become her first husband.
Career
Early years
While her husband was away fighting in World
War II, the young Mrs. Norma Jeane Dougherty began work in a
factory spraying airplane parts with fire retardant. A young army
photographer, David Conover, scouted local factories taking photos for
a YANK
magazine article about women contributing to the war effort. He
immediately saw her potential as a model
and she was
soon signed by The Blue Book modelling
agency. She became one of their most successful models,
appearing on hundreds of magazine
covers. In 1946
she
came to the attention of talent
scout Ben Lyon.
He arranged a screen
test for her with 20th
Century Fox.
She passed and was offered a standard six-month contract with a
starting salary
of $75 per week, the high end of industry standard. She was given the
name Marilyn after the actress Marilyn
Miller and
suggested her mother's maiden name Monroe as her surname. Thus the
twenty-year old Norma Jeane Baker became "Marilyn Monroe".
During her first six months at 20th Century Fox,
Monroe was given no acting work. Instead, she learned about hair,
make-up, costumes, acting and lighting. After six months Fox decided to
renew her contract and in the following six months she was given very
minor roles in two movies, Scudda Hoo! Scudda Hay!
and Dangerous Years, both released in 1947.
Both
films failed at the box
office and Fox decided
not to renew her contract again. Monroe returned to modelling and began
to network
and make contacts in Hollywood.
In 1948,
a six-month stint at Columbia
Pictures
saw her star in one movie, Ladies
of the Chorus,
but the low-budget musical was not a success and Monroe was dropped.
She then met one of Hollywood's top agents, Johnny
Hyde,
who had Fox re-sign her after MGM
had turned her down. Fox Vice-President Darryl
F. Zanuck was
not convinced of Monroe's star potential. However, due to Hyde's
persistence, she gained supporting parts in All
About Eve and The
Asphalt Jungle. Even though these two roles were
minor, movie-goers took notice and Monroe began receiving more fan mail
than some top-billed movie stars of the time.
Monroe played her first role as a leading
lady(excluding Ladies
of the Chorus)
in 1952's
Don't Bother To Knock, portraying a
deranged babysitter
who, in a rage, attacks the little girl in her care. Although it
received mixed reviews, Monroe later claimed it to be one of her
favorite performances. Her turn in the film has later been acknowledged
as one of the strongest of her career by many critics.
Stardom
Although American critics were, at first,
unwilling to admit Monroe's abilities as a dramatic actress, they were
left in no doubt about her sex
appeal. Monroe was now
carrying a big-budget thriller, Niagara,
in 1953. Movie critics virtually forgot about the sinister plot and
focused solely on Monroe and her connection with the camera. Niagara
helped Monroe become an overnight sensation. Her turn as the unbalanced
easy virtue, Rose Loomis, who is planning to murder her equally
neurotic husband, led movie critics to claim Monroe would have been the
perfect leading lady in an Alfred
Hitchcock
film.
It was around this time that nude
photos of Monroe began to
surface, taken by photographer Tom Kelley when she had been struggling
for work. Prints were bought by Hugh
Hefner and in
December 1953
appeared in the first edition of his new magazine, Playboy.
Even though Fox was worried that it might lead to a career-damaging
controversy, Monroe decided to publicly admit it was indeed her posing
in the pictures. To a journalist asking what she had on during the
photoshoot, she replied: "The radio."
When asked what she
wore in bed, she said: "Chanel
No. 5." Later on,
both have become iconic one-liners.
Gentlemen
Prefer
Blondes and How
to Marry a
Millionaire, both released in 1953, cemented
Monroe's status as an A-list
screen actress and she quickly became arguably the world's biggest movie
star.
Gentlemen Prefer Blondes, was a
camp musical exceptionally daring for its times, and today, it is
regarded one of the best comedies of all-time by many critics. Monroe's
self-ironic turn as the gold-digging showgirl Lorelei Lee is generally
considered to be one of her most alluring on-screen efforts. Her
rendition of "Diamonds Are a Girl's Best Friend" is among the
best-known scenes in Monroe's career.
In How to Marry a Millionaire,
Monroe was teamed up with two other major 20th Century Fox attractions,
Lauren
Bacall and Betty
Grable. She played a short-sighted dumb blonde named Pola
Debevoise and managed to shine even among her charismatic co-stars.
Even though the role was in many ways a stereotype, Monroe garnered
favorable reviews, and critics took note of her comedic timing. In the
United States, she was considered a shallow sex symbol, whereas in Europe,
she was already getting recognition for her acting skills, up to the
extent that she was compared to Charles
Chaplin.
Her next two films, the western River
of No Return and the musical There's
No Business Like Show Business, were not
successful, partly due to the fact that Monroe wasn't given much to
work with. Monroe, ambitious as ever and striving to face challenges,
got tired of the roles that Zanuck assigned her. After completing work
on The
Seven Year Itch
in early 1955,
she broke her contract and fled Hollywood to study acting at The
Actors Studio in New
York. Fox would not
accede on her new contract demands and insisted she return to start
work on productions she considered inappropriate, such as Heller
In Pink Tights(which was never filmed), The Girl
in the Red Velvet Swing, and How To Be Very, Very
Popular.
Monroe refused to appear in these films and stayed
in New York. As The
Seven Year Itch
raced to the top of the box office in the summer of 1955, with other
Fox starlets Jayne
Mansfield and Sheree
North failing to click with audience, Zanuck admitted defeat
and Monroe triumphantly returned to Hollywood. A new contract was drawn
up, giving Monroe complete directorial approval as well as the option
to act in other studios' projects.
The first film to be made under the contract was Bus
Stop, directed by Joshua
Logan. Critics
immediately took note of Monroe's profound approach on the character
she played. Generally praised for her performance as Cherie, a saloon
bar singer
who falls in love with a cowboy, Monroe deliberately appeared badly
made-up and non-glamorous. A lot of people believe she should have been
nominated for an Academy
Award.
Generally, it is believed that Monroe wasn't nominated because of her
controversial reputation. She did, however, get a Golden
Globe nod.
Practically unheard of at the time, Monroe was the
first woman to form her own production
company
with friend and photographer Milton H. Greene. Marilyn Monroe
Productions released its first film The
Prince and the
Showgirl in 1957
to mixed reviews. Along
with executive-producing the film, she starred opposite the acclaimed British
actor Laurence
Olivier,
who directed it. Unfortunately, the chemistry between the two was
lacking and Monroe's reputation in the film
industry for being
difficult only grew. Monroe's performance as songstress Elsie Marina,
however, was hailed as a first-rate characterization by the critics of
the time, especially in Europe, where she was handed the David di
Donatello, the Italian equivalent of the Academy
Award, as well
as the French Crystal Star Award. Furthermore, Monroe got nominated for
the much valued BAFTA
award.
Later years
In 1959
she scored the biggest hit of her career starring alongside Tony
Curtis and Jack
Lemmon in Billy
Wilder's comedy Some
Like It Hot.
Her difficult behavior on the set is now legendary, as well as her
numerous retakes. However, when the shooting was over with, Wilder
stated that he would have been willing to go through the hard times
with Monroe any time again, hailing her a first-rate comedienne. Some
Like It Hot is now consistently rated as one of the best
comedy films ever made. Monroe's performance as the promiscuous,
constantly drinking but compassionate singer Sugar Kane was awarded
with a Golden
Globe for best actress in musical or comedy.
After Some Like It Hot, Monroe
did a musical named Let's Make Love directed by George
Cukor and co-starring Yves
Montand. Monroe,
Montand and Cukor all considered the script subpar, yet Monroe was
forced to make the film because of her obligations to Twentieth Century
Fox. While the film was not a commercial or critical success, it
included one of Monroe's legendary musical numbers, Cole
Porter's "My Heart Belongs to Daddy".
By 1961,
Monroe's third husband, the playwright
Arthur
Miller, had written and worked on what became her and her
co-star Clark
Gable's last completed film, The
Misfits. It was a long and exhausting shoot in the
middle of the hot Nevada
desert. Monroe's tardiness became chronic and the shoot was troublesome
all the way through. Despite all this, Monroe, Gable and Montgomery
Clift were able to deliver performances that are now
considered excellent, even iconic. Monroe became friends with Clift,
whom she felt a deep connection with. Gable died of a heart attack soon
after, and some blamed this on Monroe, claiming she had given him a
hard time on the set. Gable had, however, insisted on doing his own
stunts and was a heavy smoker and drinker, and the general consensus
was that he simply got physically exhausted. Monroe did attend his
funeral.
Monroe returned to Hollywood to resume filming on
an already troubled picture, Something's
Got to
Give. In May 1962,
Monroe made her last
significant public appearance, singing Happy Birthday, Mr.
President at a televised birthday party for President
John
F. Kennedy.
After shooting what was claimed to have been the first ever nude scene
by a major motion picture actress, Monroe's attendance became even more
erratic due to illness.
Already in a financial strain due to production
costs of Cleopatra, starring Elizabeth
Taylor, Fox used Monroe's absences as an excuse to drop
Monroe from the film, sue her, and then replace her with Lee
Remick.
However, a clause in co-star Dean
Martin's contract
gave him approval over the film's leading
lady. As he was
unwilling to work with anyone else, Monroe was rehired for double her
original salary.
Monroe conducted a lengthy interview with Life
Magazine, in which she expressed how bitter she was about
Hollywood labeling her as a dumb blonde and how much she loved her
audience. She also did a photo shoot for Vogue,
and began discussing a
future film project with Gene
Kelly and Frank
Sinatra. She was also planning to star in a biopic as Jean
Harlow. Other projects being considered for her were What
a Way to Go! and The
Stripper.
Before the shooting of Something's Got
to Give resumed, however, Monroe was found dead in her Los
Angeles home, on the morning of August
5, 1962.
Her death, officially
ruled to be a probable suicide
by drug
overdose, has since been found to contain instances of
unprofessional handling of the investigation. It has become the subject
of conspiracy
theories,
but these have done little to dent her iconic status as the archetypal
sex symbol and movie star.
Marriages
James Dougherty
Age sixteen, Monroe married James Dougherty on June
19,
1942.
In his books The Secret Happiness of Marilyn Monroe
and To Norma Jeane With Love, Jimmie, Dougherty
claimed they were in love and would have lived happily ever after had
dreams of stardom not lured her away. Monroe, however, always
maintained theirs was a marriage
of convenience.
Marilyn divorced Dougherty on September
13, 1946.
In the 2004
documentary Marilyn's Man, Dougherty made three
significant claims: he invented the "Marilyn Monroe" persona; Fox
forced her to divorce him; and she always yearned to return to him.
There is no evidence to support these claims, nor that they remained in
touch(she was an unknown in 1946, so his claim Fox "forced" a
divorce
is unlikely.) She was reportedly furious when he gave an interview to Photoplay
in 1953,
claiming that she threatened to jump off the Santa
Monica
Pier if he ever left her. He later appeared as a contestant on To
Tell the Truth as "Marilyn Monroe's real first
husband".
Dougherty's own actions did not support his claims
of being Monroe's Svengali
or her true love. He remarried only a few months after their divorce.
When informed of her death, the New
York Times
reported he simply said "I'm sorry" and continued his LAPD
patrol;
he did not attend her funeral. In an interview for the A&E
Network, he admitted that his mother had been approached by
Grace Goddard and asked him if he'd be willing to marry Norma Jeane to
prevent her from being sent to an orphanage.
Dougherty remained married to his third wife until
her death in 2003.
He lived in Maine
until his death from complications due to leukemia
on August
15,
2005.
Joe DiMaggio
In 1951
baseball
star Joe
DiMaggio saw a picture of Monroe with two Chicago
White Sox players, but waited until his retirement before
asking the man who arranged the picture to set up a date.
Monroe did not want to meet him, fearing a stereotypical
jock,
but
after a two-year courtship
they eloped
and married at San
Francisco's
City
Hall on January
14, 1954.
During
the honeymoon, she was asked to visit Korea
to entertain the troops.
She performed ten shows over four days in freezing temperatures. Her
audience consisted of more than 100,000 soldiers and marines.
Reportedly, Joe was not pleased with his wife's decision during what he
wanted to be an intimate honeymoon. Monroe biographer Fred Guiles
speculated that Joe, knowing first-hand the power and hollowness of
fame, wanted desperately to head off what he was convinced was
Marilyn's "collison-course with disaster."
DiMaggio biographer Maury Allen quoted New
York Mets PR man Arthur Richman that DiMaggio told him
everything went wrong from the trip to Japan on. Although Marilyn said
she wanted to settle down, she was intent on continuing her career.
Friends claimed that DiMaggio became possessive and controlling as
Monroe grew increasingly defiant of his wishes. After filming the
notorious skirt-blowing scene in The
Seven Year Itch, Billy
Wilder recalled
the "look of death" on DiMaggio's face as he watched with fans and extras.
Co-star Tom
Ewell told the Louisville
Courier-Journal decades later that Wilder set the
whole scenario up, and had a fan placed under the subway grate that
would blow her dress over her head. DiMaggio biographer
Richard Ben
Cramer claims that Joe was so "disgusted" by Marilyn's "sloppiness" he
began to abuse
her. Her makeup man, Allan "Whitey" Snyder, recalled that Marilyn later
appeared on set with bruises on her upper arms. On October
27,
274 days after the wedding, she filed for divorce on grounds of mental
cruelty.
Soon after her divorce from Arthur
Miller, Monroe returned to her self-destructive ways, falling
in with people DiMaggio felt detrimental to her(including Frank
Sinatra and his "Rat Pack"). The state of her physical and
mental health became widely speculated upon by gossip columnists.
Monroe's psychiatrist
arranged for her to be admitted to the Payne
Whitney
Psychiatric Clinic. Unable to voluntarily check herself out,
she called DiMaggio. On February
10, 1961,
he
secured her release(she was reportedly placed in the ward for the
most
seriously disturbed). She later joined him in Florida.
Their "just good
friends" claims did not stop rumors of remarriage. At the 1960
Academy
Awards telecast,
Bob
Hope
jokingly dedicated Best
Song
nominee The Second Time Around to them. According
to Maury Allen, on August
1, 1962
DiMaggio quit his job with a military post exchange(PX)
to return to California
and ask her to remarry him.
For twenty years, DiMaggio had a dozen red roses
delivered to Monroe's crypt three times a week. Unlike her other two
husbands, or the men who claimed to have known her intimately, he never
talked about her publicly or "cashed in" on the relationship. He never
remarried. He died on March
8, 1999,
of lung
cancer.
On January
23, 2006
it was
announced that DiMaggio's granddaughters will have his personal items
auctioned in May, among them, a photo Marilyn inscribed to him: "I love
you Joe."
Arthur Miller
On June
29, 1956,
Monroe married playwright Arthur
Miller, whom she had first met in 1951, in a civil ceremony.
A Jewish
ceremony followed two days later(she had converted to Judaism.)
After
she finished shooting The
Prince and the
Showgirl, the couple returned to the States from England
and discovered she was pregnant.
However, she
suffered from endometriosis
and the
pregnancy was found to be ectopic;
it was aborted
to save her life. A subsequent pregnancy ended in miscarriage.
By 1958,
she was the couple's main breadwinner. Not only did she pay alimony
to Miller's first wife but he reportedly charged her production company
for buying and shipping a Jaguar
to the United
States. His The
Misfits was
meant to be a Valentine
gift,
but by the time filming started in 1960
their marriage was broken
beyond repair. A Mexican
divorce was granted on January
24, 1961.
On February
17, 1962,
Miller married Austrian-born
Inge
Morath, one of the Magnum
photographers
recording the making of The
Misfits.
In January 1964,
Miller's After
the Fall opened, featuring a beautiful, child-like, yet
devouring shrew named Maggie. The similarities between Maggie and
Monroe did not go unnoticed by audiences and critics, many of whom
sympathized that she could not defend herself to such a portrayal. His
last Broadway-bound
work,
Finishing the Picture, was based on the
making of The
Misfits and
again painted a similar portrait. In interviews, he described her as
"highly self-destructive." He told Vanity
Fair (magazine) what "killed" her was not some conspiracy,
but
that she was Marilyn Monroe. In his 1987
autobiography,
Miller
elaborated on her and their marriage while defending his actions. He
died on February
10, 2005,
at the age of 89.
Death and aftermath
Monroe was found dead in the bedroom of her Brentwood,
California home by her live-in housekeeper Mrs. Eunice
Murray. She was thirty-six. Her death was apparently caused
by an overdose of barbiturates,
although as
with the assassination
of President
John F. Kennedy, several theories have sprung up around the
circumstances.
Most try to make a case for murder
due to her connection
with the Kennedy
family
and the sometimes strange and unprofessional relationships between
Monroe and her psychiatrist Dr. Ralph Greenson; the housekeeper he
hired for Monroe, Mrs. Murray; and her personal publicist
Pat Newcomb, who
was hired by the Kennedys immediately following Monroe's death.
Suspicion also arises due to the fact that up to four hours passed
between the discovery of her body, and the phone call to the Los
Angeles Police Department. Jack Clemmons, the first officer on the
scene claimed that when he entered the home, Mrs. Murray was doing
laundry, Monroe's room was very tidy as though it had been cleaned
prior to his arrival, and her body looked posed, "she was face down,
her arms at her side, like a soldier at attention, a phone under her
torso." Clemmons noted that Dr. Greenson kept pointing to rows of pill
bottles lined up neatly on her nightstand and saying as if rehearsed,
"She must have taken all of these." Simmons noticed that no typical
signs of drug overdose were present, namely foaming of the mouth and
twisting of the body due to convulsions. The police report mentioned a
broken bedroom window and glass on the floor, to which Murray claimed
that was the only access to the locked room. Also suspicious, lividity
(settling of blood)in various parts of the body suggested that the
body
had been moved as well. Those who spoke with her in the days prior to
her death would describe an upbeat, optimistic Marilyn.
Conspiracy theories aside, it must be noted that
the other women whom Kennedy was allegedly involved with, including Angie
Dickinson and Judith
Campbell Exner,
survived him. Through her relationship with Sam
Giancana, Exner
seriously compromised both Kennedy and the Presidency itself, yet she
told People magazine that, the FBI
quit its survilence on her -
and left her alone - once it was apparent that their affair was over.
DiMaggio claimed Marilyn's body and planned her
funeral. He excluded all he deemed morally responsible for her death.
Whitey Snyder prepared her face for her last appearance, a promise he
had made her if she were to go before him. She was put in her favorite
green Emilio
Pucci dress and held a small boquet of pink teacup roses. The
service was held at the Westwood Memorial Park Chapel in Hollywood, and
only 30 people were in attendance. Marilyn's acting coach, Lee
Strasberg, delivered her eulogy, and Judy
Garland's "Over the Rainbow" played.
Monroe was interred in a pink marble crypt at the Westwood
Village Memorial Park Cemetery, Los Angeles. This is the
cemetery where her foster mother Grace Goddard's aunt was buried and
where Monroe in turn had arranged for Goddard to be buried.
Marilyn's mother had been diagnosed as a schizophrenic
and between periods in mental hospitals had married her last husband,
John Stewart Eley. He died in 1952. In the early 1970s she walked out
of a sanitorium and flew to Florida,
where her daughter,
Berniece, met her at the airport. She died on March
11, 1984
at a Florida nursing home,
refusing to the end to discuss either Norma Jeane or Marilyn Monroe.
Currently,(as of 2006) Berniece and her
daughter
Mona Rae reside in Florida. In 1994,
they published a book
about her relationship with Monroe, titled My Sister Marilyn.
A formal reinvestigation in 1982
by the Los
Angeles County District
Attorney
uncovered no evidence of foul play, but concluded that the original
investigation into her death had not been conducted properly. The
officers that arrived at her home had failed to secure the scene,
people freely came and went, possibly contaminating or destroying
evidence. The reinvestigation also revealed that all lab work, tissue
samples, and test results from the autopsy disappeared from the County
Cornoner's Office immediately after the official ruling had been made
public. Coroner
Dr. Thomas
Noguchi, who conducted the autopsy, claims that misplacement
of samples has never happened in another case before or since. The
report also suggests that Monroe's body may have been moved after death
as lividity had sat in different parts of her body at different times.
In his memoir
Coroner, he also states that it was
"highly likely" that Monroe's death was suicide. He concedes, however,
that no trace of the barbiturates Monroe purportedly took were found in
her mouth, stomach or intestines. This has led some theorists to
suggest that Monroe had been rendered unconscious(for instance via chloral
hydrate) and the overdose administered by intravenous
injection,
or, more likely, by rectal
suppository.
On August
5, 2005
the Los
Angeles Times published an account of Monroe's
death by former Los Angeles County prosecutor
John W. Miner,
who was present at the autopsy.
Miner claims that
she was not suicidal, and offered as proof his notes on tapes she
supposedly recorded for Greenson and Greenson played for him.
Greenson's widow told the Times that her husband
never mentioned any such tapes, which, if they ever existed, have been
lost or destroyed, so there is no way to verify Miner's story.
Trivia
- Haugesund,
Norway,
birthplace of Martin Edward Mortenson, has a lifesize statue of
Marilyn.
- Childhood pictures show that Marilyn was a blonde,
but her hair turned "mousy" as she grew up. She dyed her hair several
different shades of blonde as an adult.
- Monroe fans: Albert
Einstein, Ayn
Rand,
Jean-Paul
Sartre, Edith
Sitwell and Vladimir
Nabokov.
- Colin
Farrell admitted
that as a child he would put sweets
under his pillow for
Monroe in case she visited him from heaven.
- When Rainier
III of
Monaco was looking for a famous wife, Monroe was suggested.
However, since she wasn't Catholic,
she could not be
considered.
- Marian McKnight won the 1957
Miss
America crown with
a Marilyn act
- The "subway grate" scene in The Seven
Year Itch has been aped in countless shows, commercials,
products, and ads, and by everyone from Anna
Kournikova to Absolut
vodka to Betty
Boop and the Statue
of Liberty.
- A computer-generated Monroe is featured in The
Sims: Superstar
- Monroe's features are copyrighted
to her estate
and are not allowed to be reproduced exactly.
- Monroe had a mild stutter,
which was most
severe during her teens.
She commented in an interview, "I stuttered... Later on, in my teens,
when I was at Van
Nuys High School,
they elected me secretary of the English class and every time I had to
read the minutes I'd say, 'Minutes of the last m-m-m-meeting.' It was
terrible." [1]
- Her first screen
test was shot by cinematographer
Leon Shamroy.
- Hugh
Hefner bought a
crypt next to Monroe's for $85,000. The other crypt next to hers was
sold for $125,000. There are no empty spots available near Monroe.
- The myth that Monroe was born with eleven
toes resulted from photos in The Birth of Marilyn
by Joseph Jasgur in March 1946.
The story is dismissed as an urban
legend. [2]
- Miss Artichoke of 1948.
- The "subway grate" scene in The Seven
Year Itch was reshot at Fox, since the crowds proved too
distracting.
- Billy
Wilder said Monroe
had breasts like granite and a brain like Swiss
cheese. However,
Wilder also said she was a genius.
- A roommate of Shelley
Winters.
- Talked a club owner into booking Ella
Fitzgerald: "I owe Marilyn Monroe a real debt. It was because
of her that I played the Mocambo, a very popular night-club in the
50’s. She personally called the owner of the Mocambo, and
told him she wanted me booked immediately, and if he would do it, she
would take a front table every night. She told him – and it
was true, due to Marilyn’s superstar status – that
the press would go wild. The owner said yes, and Marilyn was there,
front table, every night. The press went overboard… After
that, I never had to play a small jazz club again." [3]
- Said to be quite intelligent, although it was
hidden behind her image. She wrote poems, enjoyed literature and always
regretted never continuing high
school.
- George
Barris
claims he took the last pictures of Monroe. However, it was Allan Grant
who took the last pictures of Monroe, during an interview for Life
magazine on July
7, 1962.
- Among the men Monroe allegedly had affairs with
were: President
John
F. Kennedy, Frank
Sinatra, Marlon
Brando, and Yves
Montand. In 2005 it was claimed she had a one-night
stand with Joan
Crawford.
- Frank
Sinatra gave her
a Maltese
puppy that she named "Maf Honey". "Maf" was supposedly short for
"Mafia".
- The beauty
mark above her lip
was genuine. It was a very pale mole that she darkened with makeup. [4]
- Truman
Capote wanted
her to play Holly Golightly in the film
adaptation of
his Breakfast
At Tiffany's.
- Voted "Sexiest Woman of the Century" by People
magazine in 1999.
- Pirportedly shaved a quarter of an inch off
many of her right high-heeled
shoes to
accentuate the wiggle in her walk.
- The diamonds she wore as she performed Diamonds
Are A Girl's Best Friend were rhinestones.
- The gown Monroe wore to sing happy birthday to John
F. Kennedy sold in 1999 for over $1,500,000.
- Marilyn is the first stamp of the USPS's
"Legends of Hollywood" series
Filmography
Awards and nominations
- 1952 Photoplay
Award: Special
Award
- 1953 Photoplay Award: Most Popular Female Star
- 1954 Golden
Globe, World Film
Favorite: Female
- 1956 BAFTA
Film Award nomination:
Best Foreign Actress(for The Seven Year Itch)
- 1956 Golden Globe nomination: Best Motion
Picture Actress in Comedy or Musical(for Bus Stop)
- 1958 BAFTA Film Award nomination: Best Foreign
Actress(for The Prince and the Showgirl)
- 1958 David
di Donatello Award(Italian): Golden Plate(for The
Prince and the Showgirl)
- 1959 Crystal
Star Award(French): Best Foreign Actress(for The
Prince and the Showgirl)
- 1960 Golden Globe, Best Motion Picture Actress
in Comedy or Musical(for Some Like It Hot)
- 1962 Golden Globe, World Film Favorite: Female
Monroe has a star on the Hollywood Walk of Fame at
6104 Hollywood Blvd.
Marilyn in popular culture
Films
Portrayed in:
Based on her:
Television
Portrayed in:
Based on her:
Art/Photography
- Willem
de Kooning's
Marilyn Monroe 1954
- Andy
Warhol's Marilyn
Diptych 1962;
versions in pink, gold and blue released as Marilyn Monroe
1964
- Faith
Ringgold's Marilyn
Monroe 1997
- The book Marilyn in Art by
Roger Taylor 2006
is a compliation of works in various mediums
- Eve
Arnold, Jock
Carroll, Andre de Dienes, Milton Greene, and Bert
Stern
published books of their photos. She sat for Richard
Avedon, Cecil
Beaton, Henri
Cartier-Bresson, Alfred
Eisenstaedt,
Elliott
Erwitt, Philippe
Halsman, Harold
Lloyd, and Gordon
Parks, among others.
- Anna
Nicole Smith
rented the home Monroe died in, and has posed as her for various
shoots, most notably for PETA.
- Marie
Claire(September
2002) of Marilyn visiting the troops in Korea
in a bomber jacket: she
"made even military-issue jackets sexy."
- American Photo devoted its
May/June 1996 issue to Marilyn
Stage
- The 1964
play After the Fall and the 2004
play Finishing
the Picture by Arthur Miller.
- In The
Who's Tommy,
Marilyn is a saintly figure.
- The 1982
play Insignificance by Terry Johnson; filmed by Nicolas
Roeg.
- The 1983
Broadway
musical Marilyn!
- Operetta
Marilyn
by her friend, Norman Rosten.
- The 1986
Norman
Mailer play
"Strawhead" starred his daughter, Kate.
- The 1995
rock opera
America The Beautiful by Rob
Volpintesta.
Books
According to amazon.com, there are over 600 books
on Marilyn; the folllowing are fictional takes:
Further reading
- Victor,
Adam(1999). The Complete Marilyn Monroe, Thames
and Hudson Ltd. ISBN
0500019789. An exhaustive and thorough
A–Z look at Monroe's life.
- Wolfe,
Donald H.(1988). The Last Days of Marilyn Monroe,
William Morrow & Company. ISBN
0688162886. Argues for Kennedy connection to
Monroe's death.
- Smith,
Matthew(2004). Marilyn's Last Words: Her Secret Tapes and
Mysterious Death, Carroll & Graf Publishers. ISBN
0786713801. Contains alleged transcripts of
Monroe's therapy sessions.
- Giancana,
Sam, and Giancana, Chuck(1993). Double Cross: The
Explosive
Inside Story of the Mobster Who Controlled America, Warner
Books. ISBN
0446364126. Mobster Sam Giancana's nephew and
brother claim that Giancana had Monroe killed(pp.434–438).
- Mailer,
Norman(1973). Marilyn, a Biography, Grosset
& Dunlap. ISBN
0448010291. Norman Mailer's biography of Marilyn
is illustrated with hundreds of photographs.
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EXTENDED BIBLIOGRAPHY
1. Allen, J.,
Marilyn by moonlight : a remembrance in rare photos. 1996,
New York: Barclay House.
2. Allen, J.,
Marilyn by moonlight : a remembrance in rare photos with reminiscences
by Marilyn Monroe. Collector's ed. 2000, Los Angeles, CA:
Dream City Publications. p.
3. Aloff, M.,
Dance anecdotes : stories from the worlds of ballet, Broadway, the
ballroom, and modern dance. 2006, New York ; Oxford: Oxford
University Press.
4. Alvarez, J.M.,
Desolada grandeza. 1. ed. 1976, Madrid: SEDMAY. 196 p.
5. Arnold, E.,
Marilyn Monroe--an appreciation. 1987, New York, N.Y.: Knopf.
141 p.
6. Arnold, E.,
Marilyn Monroe : an appreciation. 2005, New York: Harry N.
Abrams.
7. Ascione, C.,
Marilyn Monroe. I Grandi del cinema. 1996, Roma: Gremese. 127
p.
8. Austin, J.,
Hollywood's Babylon women. 1994, New York: S.P.I. Books. 183
p., [32] p. of plates.
9. Berckmans, C.,
Marilyn Monroe : mythe et sâeduction. 1993, Paris:
L'Harmattan. 173 p.
10. Brambilla, G.B., G. Mercurio, and S. Petricca,
Marilyn Monroe. 1995, New York: Rizzoli. 319 p.
11. Burbank, J.,
Las Vegas Babylon : true tales of glitter, glamour, and greed.
2005, New York: M. Evans.
12. Burleson, D.R.,
UFOs and the murder of Marilyn Monroe. 1st ed. 2003, Roswell,
N.M.: Black Mesa Press. 95 p.
13. Buskin, R.,
Blonde heat : the sizzling screen career of Marilyn Monroe.
2001, New York: Billboard Books. 256 p.
14. Capote, T.,
Marilyn Monroe. 2001, Munich: Schirmer/Mosel. 119 p.
15. Cardenal, E. and R.D.F. Pring-Mill,
Marilyn Monroe, and other poems. 1975, London: Search Press.
136 p.
16. Carrera, M.,
Marilyn Monroe y otros familiares. 1. ed. 1999,
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17. Carroll, W.,
Norma Jean : Marilyn Monroe, 1945. 2004, Raron, NM: Coda
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18. Castro, E.,
Una vida de novela. 1995, Kansas City: Andrews and McMeel.
173 p.
19. Churchwell, S.B.,
The many lives of Marilyn Monroe. 1st U.S. ed. 2005, New
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20. Dunsford, C.,
Me and Marilyn Monroe. 1993, Wellington: D. Brasell
Associates. viii, 216 p.
21. Epting, C.,
Marilyn Monroe dyed here : more locations of America's pop culture
landmarks. 2004, Santa Monica, CA: Santa Monica Press. 309 p.
22. Frishberg, D.,
I'm hip, and other songs beyond category. 1985, Katonah,
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23. Gregory, A. and M.A. Speriglio,
Crypt 33 : the saga of Marilyn Monroe-- the final word. 1993,
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24. Guiles, F.L.,
Legend : the life and death of Marilyn Monroe. 1984, New
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Legend : the life and death of Marilyn Monroe. 1st
Scarborough house trade pbk. ed. 1991, Chelsea, MI: Scarborough House.
26. Guiles, F.L.,
Norma Jean : the life of Marilyn Monroe. 1st Paragon House
ed. 1993, New York: Paragon House. xii, 341 p., [16] p. of plates.
27. Guillâen, R. and S. McKinney,
I'm speaking : selected poems. Bilingual ed. 2001, Evanston,
Ill.: Northwestern University Press. x, 105 p.
28. Hoffman, E.,
The book of birthday wishes : thoughts and good cheer from Groucho
Marx, Marilyn Monroe, Bill Cosby, Dr. Seuss and more than 100 others.
2001, New York, N.Y.: Citadel Press. xix, 250 p.
29. John, E. and B. Taupin,
Candle in the wind. 1st ed. 1994, New York: Hyperion. 45 p.
30. Jordan, T.,
Norma Jean : my secret life with Marilyn Monroe. 1st ed.
1989, New York: W. Morrow. xv, 255 p., [12] p. of plates.
31. Kidder, C.,
Marilyn Monroe : cover to cover. 1999, Iola, WI: Krause
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32. Kidder, C.,
Marilyn Monroe collectibles : a comprehensive guide to the memorabilia
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33. Kidder, C.,
Marilyn Monroe : cover to cover. 2nd ed. 2003, Iola, WI:
Krause Publications. 176 p.
34. Kobal, J.,
Marilyn Monroe; a life on film. 1974, London, New York,:
Hamlyn. 176 p.
35. Kottler, J.A.,
Divine madness : ten stories of creative struggle. 2005, San
Francisco: Jossey-Bass.
36. Krohn, K.E.,
Marilyn Monroe : Norma Jeane's dream. 1997, Minneapolis:
Lerner Publications. 128 p.
37. Leaming, B.,
Marilyn Monroe. 1st ed. 1998, New York: Crown Publishers. ix,
464 p.
38. Lefkowitz, F.,
Marilyn Monroe. Pop culture legends. 1995, New York: Chelsea
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39. Leigh, W.,
The secret letters of Marilyn Monroe and Jackie Kennedy : a novel.
1st ed. 2003, New York: St. Martins Press. 280 p.
40. Lembourn, H.J.r.,
Diary of a lover of Marilyn Monroe. 1979, New York: Arbor
House. 214 p.
41. Lendle, W., M.J. Hill, and P.S. Hill,
Anniversary paraphrase : from Marilyn to Astor : for guitar.
2002, Columbus, Ohio
King of Prussia, PA: Editions Orphâee ;
Sole selling agent, T. Presser Co. 5 p. of music.
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Marilyn Monroe und Arthur Miller : eine Nahaufnahme. 1. Aufl.
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Marilyn Monroe. 1988, Cambridge, UK: Polity Press in
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Culture and consumption II : markets, meaning, and brand management.
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All the available light : a Marilyn Monroe reader. 2002, New
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Marilyn Monroe. 1973, New York,: Pyramid Publications. 157 p.
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My sister Marilyn : a memoir of Marilyn Monroe. 1st ed. 1994,
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Marilyn Monroe and the camera. 1st U.S. ed. 1989, Boston,
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My story. 1st Cooper Square Press ed. 2000, New York
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Marilyn Monroe : a never-ending dream. 1st U.S. ed. 1986, New
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72. Spoto, D., |